"Neil Rose, a Plymouth-based avant-gardener, has produced a debut album inspired by the writings of H.P. Lovecraft, a premise that could so easily fall into an abyss of pretention and boredom. Thankfully, that's not the case. Rose's voice is muzzled by distortion, forcing the listener to lean in and listen to his expansive soliloquies more intently, whilst the music is a glitchy haze of muffled kick drums and abstract hisses. Whilst, save the odd moment, it's hardly a danceable album, its appeal lies in its eerie imitation of the sounds of everyday life. A quietly arresting experience."  Rock-A-Rolla Issue 23

“Handsomely produced in a limited run of 250 in a sturdy gatefold on Plymouth-based onec records, this is the work of local "sonic artist, lecturer, film and trouble maker" Neil Rose. He describes it as a concept album based on the work of H.P. Lovecraft, whose Necronomicon, a book namechecked in several of his short stories and novels, seems to have exerted a strange fascination over a whole generation of alt.musicians, John Zorn being among the latest”. Paris Transatlantic (Full review here)

"Neil Rose's debut album maintains a core feeling of oppression and unease layered with moments of bliss, skillfully achieved through doom laden, minimalist sound and creeping drones."  TAPC

"The gathering energy of Yog Sothoth hit me the hardest, and it was the oncoming need to dance that I found devastating-if Tolkien's Belroc was a DJ, he'd play this. Dunwich is the most challenging track, I felt like I was being beaten around the head with a bit of two by two, followed by a bit of whipping and a quick strangulation."  Dan Sidey  (Full review here)